Classical guitar shed memorize1/7/2024 These are three separate modes that I work in and keep separate in a lot of ways. A third thing came about from these improvisations and that was making installations or artworks that used sound as the vehicle for their concept or the mode of telling a story, but they don’t exist as a recording or a performance or music composition, they might exist as something more suited to an art museum, something maybe presented as something without a duration, maybe using a room more as an instrument rather than anybody in particular playing the sounds. This can involve people who don’t read music notation or aren’t classically trained, but still are nonetheless quite capable musicians and improvisors themselves. Another part is performing and improvising music, building instruments or playing nontraditional instruments. Much of my work involves writing music for other people who play the so-called classical instruments or who read music notation. This eventually led me to want to study music in the university. Later, I began experimenting with performance and building instruments and recording sounds any way I could. I ended up learning the guitar and wanted to learn other instruments, teaching myself how to play, trying to play other chamber instruments, because I already had the basis of already being able to read music with the piano lessons. I didn’t stick with the piano for too long. I guess in a way I was kind of forced to take piano lessons, but I loved it. Later on, the family moved to Albuquerque, New Mexico, and it was there that I had the opportunity to take piano lessons and to learn more about music theory and performance. I grew up here on the Navajo reservation. We had a chance to sit down for a Q&A with Chacon: Can you share a little bit about yourself and your work? Chacon and The Living Earth Show will use water as an instrument to illuminate its role in our lives. Tremble Staves is a 70-minute performance at Sutro Baths on October 19. Now Chacon, in collaboration with The Living Earth Show, is bringing his latest work to Lands End. He is a renowned Navajo artist who is also a teacher at the Native American Composer Apprenticeship Project (NACAP), where he mentors up to a dozen students a year in classical and chamber music. Chacon explores the intricacy of noises that make up the world around us and brings attention to different ways sounds can tell a story. A former member of the American Indian art collective Postcommodity, Chacon has a long career as a composer, collaborating with sound artists in his home in Albuquerque, N.M., and in the Bay Area. Raven Chacon is a composer and artist who works primarily with experimental sound. “The sound that I want to hear is the only thing I really trust in myself, what it is and where it wants to go….”
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